4/5 stars
I initially loved this – effectively a popular historiography of the (Italian, mostly) Renaissance, exploring different perspectives and opinions and how these have evolved over time – while also providing overviews of some of the key events and personalities.
This is a wildly confusing period, so this approach actually works pretty well – highlighting who focused on what and offering multiple explanations as to why. Until about halfway through I loved it, and still remain convinced that looking at history by first looking at the lens of the historians and players who shaped that history is an approach more popular history books should take, rather than just run with a narrative.
But… “The Renaissance”, singular? This goes totally against the author’s core argument, which is all about how there are any number of ways of looking at this period (or even defining how long a period we’re talking about). Yet despite this we get surprisingly little about the Northern Renaissance, and almost every key figure called out was based in northern Italy – despite multiple references to Erasmus as a nexus of Renaissance correspondence, we get few investigations into how or whether what was happening in Italy was influenced by or influenced what was going on elsewhere (bar the frequent French invasions and other aspects of high politics).
Equally, about halfway through I started to find the whole thing a little overwhelming as we jump from overarching thesis (there’s no one right way of interpreting any of this) to detailed biography, so philosophical aside, to onrunning jokes. After a promising start, the structure starts to get lost, and it increasingly feels like a series of essays or blog posts loosely bound together.
The more this went on, the more I felt it could have been better if presented as essays rather than a whole – because after a while the running jokes (“Battle Pope”, “Abelarding”, references to Game of Thrones, etc etc) start to detract from rather than clarify the argument. This jokey style is one that’s been very popular the last decade or so, and can work – but in a book this long it can start to grate, even if you don’t object to it in principle, as some might.
Which is a shame, because there’s a lot of really good stuff in here. I learned a lot, and will want to go back and re-read various parts (as long as I can work out which with the jokey chapter titles) to refresh my memory – and eventually start to make a little more sense of a chaotic and challenging to understand period.