Oh God…<\/p>\n
Two minutes<\/strong> in, and it’s the campest thing I’ve seen all year. This is going to be excellent…<\/p>\n Three minutes<\/strong> in, it’s not exactly a *European* opening, is it? Rather Middle Eastern, I’d have said.<\/p>\n Four minutes<\/strong> in, they’re going all southern Russian \/ central Asian…<\/p>\n (Come on, it’s Eurovision – cultural insensitivity’s the name of the game.)<\/p>\n 6 minutes:<\/strong> I’d forgotten how *awful* last year’s winner was. Largely because it’s so forgettable. Dull, bland, identikit nonsense. The sort of thing slightly depressed 40-year-old women listen to while fantasising about Robert Pattinson. Find it here<\/a>.<\/p>\n 9 minutes:<\/strong> Co-host Leyla Alieva<\/a>, is, of course, the daughter of Azerbaijan’s President Aliyev – so expect less of the jokey teasing between the presenters this year. Daddy has a tendency to lock up anyone who pisses him off<\/a>.<\/p>\n 13 minutes:<\/strong> Engelbert Humperdink is first up, for the UK – great voice, terrible song. That said, they do like bland ballads at Eurovision…<\/p>\n 14 minutes:<\/strong> A Eurovision first – Humperdink barely missed a note. Shame that whoever wrote the music for that song failed to find any interesting combination of notes to show his voice off to its best effect. Next up? Hopefully something a bit less tedious.<\/p>\n 17 minutes:<\/strong> Hungary’s heart’s not really in this, is it? Though the main singer chap seems to think he’s got a true stadium-shaker. Is he listening to a different backing track? The one I’m hearing sounds like a half-hearted yawn. Boredom can be found here<\/a>.<\/p>\n 20 minutes:<\/strong> Albania – what in God’s name is this woman wearing? She looks like something out of David Lynch’s version of Dune. Or possibly a cross-dressing Davros off Doctor Who. Perfectly pleasant song, though – until she starts screaming out of key… Ouch… That is *awful* – my eardrums are bleeding and we’re only three songs down. Torture your auditory nerves here<\/a>.<\/p>\n 24 minutes:<\/strong> Lithuania has gone for an androgenous-voiced sparkly-blindfolded version of Geordie LaForge off Star Trek. Again, can’t hold a tune – voice wavering, pitch constantly slightly off.<\/p>\n Wow. Now he’s dad dancing! Amazing! I like this guy. He could go far. The further the better. Watch the full horrors of the groin-thrusting here<\/a>.<\/p>\n 28 minutes:<\/strong> Yet more boredom from Bosnia & Herzegovina. Seriously, Eurovision – can we ban ballads from now on?<\/p>\n That said, freaky shoulder-pads seem to be this year’s fashion trend so far. She looks like an inverted Darth Vader. (Note to self: No more sci-fi references, or any remaining respect you may have built will be lost forever…) Shoulder-pad dullness here<\/a>. (To be fair, she can at least sing, this one…)<\/p>\n 32 minutes:<\/strong> Russia! Hurrah! This is how Eurovision should be – out of tune, out of synch insanity with funked-up folk music nonsense. Win for Russia, please – not least because they’re one of the few countries able to afford to host next year… Watch the grannies here<\/a> – just bear in mind that they’re nowhere near as good as you’d have hoped. A novelty act where you can’t help but think that they don’t quite realise that everyone’s laughing at them, not with them.<\/p>\n 36 minutes:<\/strong> Iceland tries something a bit different, and everyone wishes they hadn’t. Still, I suppose it’s the thought that counts. And the increasing energy (by which I mean shoutiness) towards the end could see this do well. Watch\/listen here<\/a>.<\/p>\n 41 minutes:<\/strong> *This* is more like it. Cyprus goes for full-on proper cheesy Europop, sung (mostly in tune, surprisingly) by a short-skirted hybrid of Rachel Weisz and Liv Tyler. Which can’t be a bad thing. Watch the total nonsense here<\/a>. I’m rooting for this one so far, it must be said. Gloriously early 90s.<\/p>\n 44 minutes:<\/strong> France goes for bizarre breakdancy athletics stuff that’s completely out of keeping with the song, but this also has a camp 90s synth vibe to it, so I’m sold. The singer’s quite saucy and all, in a slightly plasticy kind of a way. But the song’s just a bit too dull to do it for me, I’m afraid. Sorry, luv. Watch here<\/a>.<\/p>\n 48 minutes:<\/strong> Italy appear to be trying to do an Amy Winehouse. Passable, but she hasn’t got the voice. More up-tempo though, which can only be applauded after the tedium of what we’ve seen so far. Almost actually good, if the girl could sing a bit better. See what you reckon here<\/a>.<\/p>\n Seen on Twitter – amusing joke I should have thought of re: Italy’s offering from @solelyfictional<\/a>: “Nice to see Berlusconi’s cabinet still in work” 56 minutes:<\/strong> Dear Lord, Norway’s entry is *awful*. Seriously – kill it. Kill it now. Hard. And then drive a stake through it’s heart. Kill this<\/a>.<\/p>\n 62 minutes:<\/strong> Another ballad, this from Azerbaijan – but this one at least seems to have made a bit of an effort – goes all Whitney Houston in places. Which is no doubt fine if you like that sort of thing. I don’t. Good voice, though – and a hell of a lot better than the one that won it for them last year. Listen here<\/a>.<\/p>\n 66 minutes:<\/strong> Romania’s entry is by a group called Mandinga. Sounds like a porn star. And both as energetic and artistic as a porn star so far. Like the camp marching band, though. Bless. It’s pretty Eurovision, so I guess I should approve. Watch here<\/a>.<\/p>\n 71 minutes:<\/strong> Denmark’s entry seems to be a bunch of hipsters trying to be Alannis Morisette. Remember her? Bless… Passable, I suppose – not really Eurovision, though… it’s almost like this lot wanted to have an actual, respectable musical career, rather than be a novelty act. Shame, say I. Listen here<\/a>.<\/p>\n 75 minutes:<\/strong> Greece doing classic Eurovision – pretty girl who can’t sing, vaguely folksy background music, terrible dancing, all out of tune, but energetic at least. Europop nonsense here<\/a>.<\/p>\n 79 minutes:<\/strong> Sweden’s entry is apparently the favourite. I genuinely have no idea how or why. It’s like a sub-par Celine Dion parody. Nothing whatsoever to make this stand out from the bland crowd. Get bored here<\/a>.<\/p>\n 83 minutes:<\/strong> Turkey seems to have entered a Dick Van Dyke impersonator (Mary Poppins era Dick Van Dyke, naturally). Poor, but funny, at least. Albeit unintentionally. Watch the cheeky chimerneysweep here<\/a>.<\/p>\n 93 minutes:<\/strong> This means I’ve missed someone. Germany now, though – passable song. Not my sort of thing, but at least sounds like some thought’s gone into it. Here<\/a>.<\/p>\n 94 minutes:<\/strong> Ah – it was Spain I forgot. Largely because it was so forgettable. Yawn<\/a>.<\/p>\n 97 minutes:<\/strong> Malta completely forgot to make any effort in the first half of their song, then tried to make it up in the second. It wasn’t enough – too much energy, not enough thought into tedious little things like lyrics, harmonies, music, etc. Poor effort here<\/a>. 104 minutes:<\/strong> Jedward for Ireland – it’s the theme tune to a mid-90s American teen drama \/ sitcom. Pointlessly stupid – but not as stupid as it should be. Be disappointed here<\/a>.<\/p>\n 108 minutes:<\/strong> From an American-sounding Irish entry to an Irish-sounding Serbian entry. Taking itself far too seriously. But be grateful – for it’s nearly over! Not a single classic this year. Dull. More yawn-inducing boredom here<\/a>.<\/p>\n 111 minutes:<\/strong> A particularly bad year, this. Eurovision shouldn’t be this dull – it’s meant to be over-the-top fun. This has been *awful*.<\/p>\n 113 minutes:<\/strong> Ukraine seem to think they’re trying – lass with a big voice, but I have no idea what’s going on. Sounds like it should be a lot more Techno, and the backing dancers should have glo-sticks. Then it might just work. As it stands, it’s different enough to stand out. Alternate performance\/outfits is all I could find rapidly. Watch here<\/a>.<\/p>\n 117 minutes:<\/strong> Moldova starts so promisingly, but then he starts singing. Could have been really good, this, in a silly sort of a way – but the chap’s voice ruins it. Not distinctive enough for the decidedly silly song. Nearly good conclusion here<\/a>.<\/p>\n 119 minutes:<\/strong> And we’re done, bar the voting. Thank God for that. Very dull, this year. Would have given up if I weren’t having to pay attention thanks to the day job.<\/p>\n To conclude:<\/strong> Must. Try. Harder.<\/p>\n Also – not a good one to return to blogging with. Must find something more entertaining next time.<\/p>\n","protected":false},"excerpt":{"rendered":" Oh God… Two minutes in, and it’s the campest thing I’ve seen all year. This is going to be excellent… Three minutes in, it’s not exactly a *European* opening, is it? Rather Middle Eastern, I’d have said. Four minutes in, … Continue reading
\n
\n52 minutes:<\/strong> Estonia’s entry sounds like bad cover version of something, but can’t place it. It’s also *very* dull. I’m amazed I’ve lasted this long… (Then again, I am watching this for actual work rather than fun, so…) Dullness here<\/a>.<\/p>\n
\n
\n100 minutes:<\/strong> Macedonia – a song written by Andrew Lloyd Webber after a stroke, then finished off by early 80s Meatloaf. Not a good combination. Listen to the audio car crash here<\/a>.<\/p>\n